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Wonderful album, wonderful pressing. Shadow of the Vampire Turns 20, From the Vaults of Streaming Hell: Death House, From the Vaults of Streaming Hell: Santa Jaws, From the Vaults of Streaming Hell: Stalked By My Doctor: The Return, From the Vaults of Streaming Hell: Deadcon, The Ministry for the Future: by Kim Stanley Robinson, The Irish Buddhist: by Alicia Turner, Laurence Cox, Brian Bocking. Unlike the albums immediately before and after it, Electr-o-pura doesn’t represent a gigantic leap, just a great band lurching headlong into its own. In terms of their discography, Electr-o-pura is always going to have the short end of the stick. Yo La Tengo’s second EP in recent months finds them resuming their covers jukebox niche, weaving together selections as unlikely as a 1940s blues oddity and as recognizable as a Bob Dylan classic. The cookie is used to personalize your user experience and with accordance to our privacy policy: Electr-o-pura attracted the group’s normal glowing reviews, but it sold less than Painful. They could make not only the brooding songs like “Flying Lessons (Hot Chicken #1),” where the bass patience of McNew dances with the hushed voice of Kaplan, but could do so alongside songs like the guitar-heavy jam “Decora” (lead by drummer/singer/wife Georgia Hubley), the noisy, weird “False Alarm,” or the timeless “Tom Courtenay,” which may be the closest the band have come to writing the perfect rock song. Yo La Tengo We Have Amnesia Sometimes, released 17 July 2020 1. Fittingly, it’s the first Yo La Tengo album with all three members identified as co-songwriters. It’s a slow burn that has become an indispensable staple of the band’s live shows, and though it has just two excellent, spaced-out verses delivered by Hubley, it does all of its best work outside of her voice. Yo La Tengo - ELECTR-O-PURA (25th Anniversary) - Matador - Double LP: £18.99. Yo La Tengo's Popular Songs (Matador, 2009) covers a lot of ground, as far as format goes, because Periodically Double Or Triple is a casual funk shuffle, while the mediocre By Two's represents the duo's trademark slocore art. It was Yo La Tengo’s second album on the upstart label Matador, and second album with producer Roger Moutenot, who would go on to oversee all of the group’s following albums until 2013’s Fade. After “Tom Courtenay” fades out, “False Ending” fades in, with a raucous clamor akin to the infamous “I buried Paul” section tacked on as the fake-out conclusion of “Strawberry Fields Forever.” A couple of tracks later, though, “Paul Is Dead” recalls not so much the Beatles as the subway strut of the Velvet Underground and the sunshine harmonies of the Beach Boys, while Kaplan deadpans about a guy who’s singing along to the Rolling Stones song blasting in his headphones (“Sympathy for the Devil,” judging by the “woo, woo!”). by Elise Barbin (@elisecbarb)Imagine the platonic ideal of the art making practice and a vision of Yo La Tengo materializes swiftly. James gets up and watches mourning birds with Abraham (Wednesday) 4. Yo La Tengo are the next in line for Matador's ongoing "Revisionist History" reissues. Not that that is a bad thing, but with each album Yo La tengo seems to be showing more restraint while remaining consistent as ever, a hard feat to accomplish. Electr-o-pura lives up to that standard, whether in alternate takes or subsequent re-recordings. "Blue Line Swinger" is a frightening juggernaut of a song, starting slowly before building steadily into an epic freakout of earth-shaking proportions. Yo La Tengo (often abbreviated as YLT, Spanish for "I Have It") is an American indie rock band formed in Hoboken, New Jersey in 1984. Since 1992, the line-up has consisted of Ira Kaplan (guitars, piano, vocals), Georgia Hubley (drums, piano, vocals), and James McNew (bass, vocals). In the fall of 1994, Yo La Tengo spent three nights opening for Johnny Cash, then at the cusp of a resurgence with his Rick Rubin-produced American Recordings. It’s indie rock at its most epically beautiful. Yo La Tengo wouldn’t crack the Billboard 200 album charts until the 2000s. The name-dropping of British Invasion-era movie stars also fits into the concept of this band of dedicated fans (Kaplan, as is often noted, was formerly a music critic for New York Rocker and Village Voice) cosplaying their way into the big show. Existing between two classics can be a difficult way to be, but overlooking Electr-o-pura is, flat out, a huge mistake. Johnny Cash’s American Recordings-era audiences may have been irritated, but after Electr-o-pura hit shelves, Yo La Tengo started covering Grand Funk Railroad’s “We’re an American Band” during encores. “It was another way of writing about and to Georgia,” Kaplan has said. Both tell you a lot about who Yo La Tengo are, and where they were as the ’90s alt-rock boom fizzled. While the beverage museum that prompted the album’s title (Electropura was a brand of purified water) was eventually donated to Goodwill), Yo La Tengo have continued to put out several mostly strong albums, along with film scores and other instrumentals. “Everything’s gotta be rebooted these days,” Kaplan said from his and Hubley’s home in a recent retrospective, discussing a 25-year-old music video that enacts a similar juxtaposition. Rated #103 in the best albums of 1995, and #3319 of all-time album.. The second verse shifts dramatically toward the personal, as Kaplan describes a drunken first meeting that grows into something more, then recognizes the impossibility of ever fully understanding another human being, even those we know best. With it, the band gave themselves permission to be several different bands all at once. On Electr-o-pura, Yo La Tengo were poised in between finding themselves and going their own way, and the end result is still exhilarating. OLE-132 / 92550-2; CD). Electr-o-pura attracted the group’s normal glowing reviews, but it sold less than Painful. “Out of the darkness you will come around,” she assures, “and I’ll find you there.” The song is proof. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. The former is the first of two songs on the album, that pun simultaneously on Flying Burrito Brothers song titles and the prime culinary offering of Prince’s Hot Chicken Shack in Nashville, where Yo La Tengo were recording for the first time. Release Date: 4th September 2020 Continuing with their ever-expanding Revisionist History series, Matador Records announce a 25th anniversary reissue of Yo La Tengo’s 1995 album Electr-o-pura. A star-struck McNew, spotting Johnny and June Cash Carter at the side of the stage, almost dropped his instrument mid-song. …, A titanic work that runs just under 40 minutes and is frightening in its originality …, Chock full of attitude, fun and menace, Shygirl’s latest establishes a new, larger-than-li…, Supergroup shows the youngins how it’s done …, Criminally Overrated: 2001: A Space Odyssey. “It’s not the first time you’ll take a fall,” Hubley warns, memorably adding, “Act like you’ve never seen double before.” The closing “Blue Line Swinger,” also sung by Hubley, is one of Yo La Tengo’s very best songs. Sign up for the 10 to Hear newsletter here. Sorry.) 1995's 'Electr-O-Pura' nestled between two of their best albums in 'Painful' and 'I Can Hear The Heart Beating As One', and 'Electr-O-Pura' itself is no slouch either. Johnny Cash’s American Recordings -era audiences may have been irritated, but after Electr-o-pura hit shelves, Yo La Tengo started covering Grand Funk Railroad’s “We’re an American Band” during encores. Intergalactic signals introduce Here To Fall, a cross between a jazzy orchestral jam, a Cream-like melody (replete with "wah-wah" solo) and a thick syncopated rhythm. Electr-O-Pura is the seventh studio album by American indie rock band Yo La Tengo, released on May 2, 1995 by record label Matador. This was a private world for two. On May 2, 1995, two events that would prove to be noteworthy parts of indie music history happened: Yo La Tengo released their album Electr-o-pura, … A year after Electr-o-pura, Yo La Tengo appeared, as the Velvet Underground, in the film I Shot Andy Warhol (they have self-deprecating stories about that, too). Georgia considers the two blue ones (Thursday) 5. Back then, they were just moderately successful enough to lose to Pavement at ping-pong on the Lollapalooza tour, headlined by Hole and Sonic Youth. And that’s why Electr-o-pura shouldn’t be discounted or ignored as the awkward middle child: it was the training ground that gave Yo La Tengo the ability to make I Can Hear the Heart in the first place. Go listen. See how this album was rated and reviewed by the users of AoTY.org. It took the Hoboken three-piece 13 bassists in seven years to find the perfect fit, but it speaks to the impact McNew had on the band that their first album with him as a full-time member, 1993’s Painful, is regarded as one of the band’s most unimpeachable albums to this day. Most importantly, though, Kaplan himself didn’t actually know much about these old movies—Hubley, the daughter of two professional animators, was the film obsessive. Seventh album blurts, “Let’s jump the ship/Let’s cut out.” why not assures, “and I’ll find there.”. 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